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Hollywood Games In China

April 21, 2013 14 comments

Just like Shashi Tharoor was well-grounded in the West, son @ishaantharoor is learning how to push Western interests..

Po, the Panda confronts Shen the despotic  ruler of Gongmen city.

Po, the Panda confronts Shen the despotic ruler of Gongmen city.

Before we get to the main story, let us have the basics out of the way.

Back To Basics

What is India’s national bird? Peacock.

Where does the panda come from? China.

Which country was the world’s largest producer of gunpowder elements till 100 years ago? India.

How did India take advantage of its gunpowder production  to wage war, conquer nations, enslave people and loot? The British did that.

What about India’s export of steel in medieval and colonial eras? India’s Wootz steel to global markets.

For how long has India ruled over China, Tibet, Iran in the last 2000 years? Nil.

America’s Story For China

In May-June 2011, Hollywood released a much anticipated sequel to a successful film. The original film had grossed more than US$25 million in China alone. The sequel was expected to do much more – and finally grossed nearly a US$100 million (official figure – US$91.5 million) in China. Directed by Jennifer Yuh Nelson, (an American from Korea) the sequel was named the most successful film made by a woman.

In ancient China

Here is the storyline.

Despotic Peacock Prince Shen, of the benign Peacock clan returns from exile, usurps the throne. Despotic Peacock Prince Shen expands armament production, disrupting military balance based on hand-to-hand combat.

Despotic Peacock Prince Shen plans to turn fireworks into war materiel, manufacturing cannons. Despotic Peacock Prince Shen would like to make his Gongmen city kingdom into an imperial force, threatening Valley Of Peace, home of Po, the Panda. Despotic Peacock Prince Shen soon after usurping the kingdom, captured all the metal and made it into large cannons and guns.

The film – Kung Fu Panda-II.

One of the Top 3 films in China for 2011 – grossing nearly a US$100 million in China. Made by Spielberg’s Dreamworks, released by Hollywood, let us see what this film is actually telling us.

This film shows the Peacock prince (India), as a historical oppressor. Prince Shen, misusing the Chinese ‘invention’ of fireworks-gunpowder for war, using metal and gunpowder for oppression of China. Po, the Chinese Panda battles and defeats the Peacock Prince (India).

The Plot Thickens

This imagery was probably the reason why this film evoked protests and boycott in China. Since Hollywood has such low traction in India, this film has not provoked any reactions in India. Or possibly since most Indians swallow Western propaganda hook-line-and-sinker, having an image of a benign West, drilled into their thinking.

Who’s funding Steven Spielberg’s movies? When it seemed that Dreamworks would fold!

Anil Ambani.

Who’s funding Anil Ambani’s  power plants in India. China. Will someone in Dreamworks pay for this gross insult? Wonder if Anil Ambani has been briefed about this ‘game’ by Spielberg?

Remember Spielberg’s story on how he lifted the Satyajit Ray script for ET. Some readers have traced Spielberg’s antipathy to India, as depicted in Temple of Doom, to being ‘caught’ out in this ‘inspiration’.

Maya’s Apprentince

Many among India’s leadership have links to Western citadels of maya. Many leaders today ensure that their children are well-grounded in Western culture, education, industry, media academia. These apprentices will then try and take over papa’s fiefdom.

These ‘prince-lings’ are being well-educated by Western ‘specialist’ in maya. Propaganda.

No wonder, even before the bombed street is released, clean in Boston, Ishaan Tharoor is outlining how America can blame Russia, India, Pakistan, Iran Korea, China, Syria – everyone, except US.

Or as can be seen by the tutoring being given to Ishaan Tharoor by a Western academic.

Is this not how the West wants to keep India & China apart, glowering at each other.

Is this not how the West wants to keep India & China apart, glowering at each other.

Beijing officials are increasingly worried about India’s ambitions. If you look at the writings of Chinese experts, they refer to Indian military posturing in the Indian Ocean and also to military partnerships India is developing with several countries in Southeast Asia and East Africa. In the public realm, Chinese Netizens’ views of India are very negative. You get the sense the Chinese never seemed to expect India to climb up to the ranks of the great powers. Now, as India attempts to make that leap, the Chinese are very worried of its impact on China’s primacy in Asia.

It wouldn’t first be open war. China and India are building up their interests in conflict-prone and unstable states on their borders like Nepal and Burma — important sources of natural resources. If something goes wrong in these countries — if the politics implode — you could see the emergence of proxy wars in Asia. Distrust between India and China will grow and so too security concerns in a number of arenas. It’s an important scenario that strategic planners in both Beijing and Delhi are looking at.

At the same time, India won’t let itself be drowned in America’s orbit. It’s important for India to have its strategic independence. It has a very long and historically close relationship with Russia, which in turn is close to China. So it’s a little more complicated. I don’t think the Americans have thought very strategically about all of this.

via China-India Competition: Is a Military Clash Inevitable? – TIME.

Was Spielberg’s ET based on a Satyajit Ray Script?

March 27, 2010 6 comments
Satyajit Ray  |  Image source & courtesy - indianexpress.com  |  Click for source image.

Satyajit Ray | Image source & courtesy – indianexpress.com | Click for source image.

Spielberg has denied plagiarizing Ray’s script. “I was a kid in high school when his script was circulating in Hollywood…” [Link]

This post here from Ultrabrown lays out the linkage between Satyajit Ray’s script and Spielberg’s ET.

Another case of Cultural Dacoity?

Spielberg & his ET. “Originality is the art of concealing your sources” - Benjamin Franklin

Spielberg & his ET. “Originality is the art of concealing your sources” – Benjamin Franklin

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